![]() ![]() ![]() The bigger movies, if someone says, ‘Oh, we’ll put six cameras on it and get the scene.’ No thanks.”ĭeakins said it’s “sloppy” to make movies by relying on various camera units and he said he filmed “Blade Runner 2049” predominantly with one camera. But it’s always like that with production. I said, what four or five? No! I thought that was strange to ask that on ‘Blade Runner’ as we worked with Denis before, quite successfully I felt. “They say, we need a list of the four or five camera crews you want because we have to get all these shots. “It’s always like that,” Roger Deakins added. “The same thing with ‘ Skyfall.’ They said, ‘Don’t you need five or six cameras?’ I know they didn’t believe we could do it with one camera.” And the line producer didn’t believe us,” James Ellis said. “We kept saying no, no, we don’t need that. When you hire Roger Deakins, you’re hiring Deakins and Deakins alone. James Ellis remembered how during pre-production on “Blade Runner 2049” the line producer expected the duo to need up to nine camera units to film Denis Villeneuve’s science-fiction sequel. Roger Deakins Says Producers Wanted ‘Sicario’ Filmed in Fort Lauderdale: ‘Has Anybody Read the Script?’ Deakins and his wife and longtime filmmaking collaborator James Ellis Deakins refuse to work that way. One reason the MCU has lured new indie talent behind the camera is because the studio has second unit teams working on the action scenes. Marvel Studios is notorious for working this way. Studios often rely on second units to pick up the filming of various scenes. One reason for Hollywood’s downward trajectory that Deakins alluded to during the interview was the lack of a cohesive voice in major Hollywood tentpoles. I find that pretty disappointing and pretty depressing.” Deakins shared a bit of Hollywood criticism when he said, “Movies have become more about the aesthetic than the story and the content and what the film is trying to say. The two-time Oscar-winning cinematographer took some time during his quarantine to hop on video chat with Collider for a nearly 90-minute interview in which he looked back at his illustrious career, from “The Shawshank Redemption” to “Fargo,” “ Blade Runner 2049,” and “1917,” among other projects. Roger Deakins is a little bummed with Hollywood at the moment. ![]()
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